HaTây’s charming natural
scenery, hospitality and passionate people always to be a
rendezvous destination for visitors from all over the world.
source:
hataytourism
Attractions
Van Phuc Silk Village
Located 15Km west of Hanoi, Van Phuc is renowned for centuries
of silk making and silk products. The streets of Van Phuc, lined
with modern store fronts selling beautiful silk clothes and
fabrics, are abuzz with looms and sewing machines. The local
silk is known for its smooth and lightweight appearance,
qualities that enable it to be dyed more colors to suit a
variety of skin tones. You can buy ready made garments or buy
the raw fabric of your choosing and have one of Hanoi’s famous
tailors custom craft your clothes.
The grandfathers of
mother-of-pearl inlay - Ha Tay province
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The grandfathers
of mother-of-pearl inlay - Ha Tay province |
The handicraft village of Chuon
Ngo in the northern province of Ha Tay is home to that
quintessential Vietnamese art: mother-of-pearl inlay. The
delicate and much-admired craft runs in the veins of
resident who have passed the skills down the generations.
Truong Cong Thanh is believed to
be the founding father of the craft.He graduated as a master
of both literary arts and martial arts during the Ly
Dynasty.Truong joined Ly Thuong Kiet’s forces to repel
foreign invaders and was decorated. Then, he dedicated his
life to travelling and learning about his passion –
mother-of-pearl inlay.
The years have passed, but Truong’s legacy is still alive
and well in Chuon Ngo.Three artisans from the village have
had the Golden Hands Medal bestowed upon them.They have
skilful hands, artistic eyes and creative minds.They embody
the old adage: "Those who inlay mother-of-pearl into wood or
copper seem to be laying their heart into their designs
too." I was fortunated to meet them on a recent trip to the
village, in Chuyen My Commune of Phu Xuyen District.One of
the men, Tran Ba Dinh, took me to a temple devoted to the
Tutelary God of the village hidden under a century-old
banyan tree.
The site was simple in its adornment, but he drew my
attention to the parallel scrolls and gave a rough
translation: "The people of Ngo Village give thanks for the
prosperous life that is developing on this sacred land and
will be handed down forever."
Nguyen Thuyet Trinh, another Golden Handed master told me:
"In the past Chuon Ngo mostly produced mother-of-pearl
inlaid tea trays found in royal courts and on the banquet
tables of kings, lords and queens.
"A mother-of-pearl inlaid tray placed on a carved bed was a
symbol of nobility and dignity.
"Only rich people and Confucian scholars could afford to
have them. Mother-of-pearl inlaid products go with
old-styled houses: they match curved roofs covered in royal
blue tiles."They do not look so fine among our modern
houses," he conceded. Nguyen Van To is the final Golden
Handed artisan. The 80-year-old man, who began his craft
when he was just 18 years of age, dropped his chisel to
receive me.He talked excitedly and moved briskly. He looked
quite sturdy, despite his age.And he was keen to impart some
crucial knowledge: the area should be referred to as Chuyen
My, because the whole commune works at this craft.Chuon is
apparently the village that first began the craft and is
well-known to customers for the quality of its
products.Neighbouring Ngo Ha is the village famous for its
lacquer craft. So the names of these two villages are joined
together to symbolise Chuyen My.
When you talk of Chuon Ngo, you are really referring to the
seven handicraft villages of the commune. Chuon Ngo has 378
families with 1,700 inhabitants and 95 per cent of its
households work in mother-of-pearl inlay. The craft has
elevated locals out of poverty and 30 per cent of families
are even dubbed "affluent."
On average each craft family earns VND6 million per year.
The lowest monthly salary of a worker is VND200,000, the
highest VND500,000. Every year the village contributes
VND500 million to State coffers.
Nguyen Thi Vui, chairwoman of Ngo Ha Co-operative, showed me
samples of finished products. I had always admired
mother-of-pearl inlay for its ability to turn simple mussel
shells and wood into a sought-after piece of art. But I was
more than amazed when knives and chisels that seemed to fly
and dance and, in a twinkling, turned wood or horn into a
shepherd, a buffalo, a bridge or a kite.
Chuon Ngo artisans now make a wide range of products. Apart
from simple objects like tobacco boxes, trays and combs,
they also produce carved beds, cabinets and even paintings
and portraits. These products are renowned both at home and
abroad and are already exported to Britain, the Netherlands
and Singapore. While some craft villages jealously guard the
secrets of their art, Chuon Ngo is keen to share. Ngo Ha
Co-operative, with assistance from World Vision, recently
held three charity teaching courses for handicapped children
from Phu Xuyen district, Nguyen Thi Vui explained.
One-hundred children have already completed the course and
got jobs with monthly salaries ranging from VND150,000 to
VND500,000.
At the moment, only the three Golden Handed artisans can
make mother-of-pearl inlaid portraits and Nguyen Van To
worries that the future generations may not produce any more
medal winners. "The young generation are too pragmatic, they
run after the spoils of the market economy and work in a
careless manner. They are not concerned with art or
creativity," he confided. But the three master craftsmen are
determined to keep their trade alive. They are even
compelling children as young as seven or ten years to learn
inlaying skills. Many local residents share the simplistic
belief that their children will not be able to compete in
the education stakes with children from urban areas. And
even if they could compete, so the thinking goes, they would
not earn as much as the average village craftsman.
As a result, many children from Chuon Ngo leave school when
they have learnt only the basics: reading, writing and some
simple arithmetic. Only 20 of the village’s children have
completed secondary school and only four have managed to
attain bachelor’s degrees in the past decade. Four other
students from Chuon Ngo are currently studying at
universities or colleges. But the village’s craftsmen must
contend with another worry: the potential for damage to
their health. Children learning the art must be meticulous,
they sit for long periods of time to polish the
mother-of-pearl and carve the wood. Many of them suffer from
curvature of the spine and dust in their lungs.
Residents are concerned that the number of illiterate and
sickly people will increase, as such an outcome would spell
disaster for the village.
When I left Chuon Ngo I was struck by a sense of melancholy.
Certainly, locals have prospered from mother-of-pearl inlay.
But there are costs to be borne too. How do we minimise the
costs but also protect the benefits? That is a question few
can answer. Meanwhile, life goes on in Chuon Ngo and the
good and bad take their toll. Sadly, such worries are not
confined to this humble little craft village.
Author:
Vietnamtourism
Phu Vinh Bamboo and
Rattan - woven handicraft - Ha Tay province
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Phu Vinh Bamboo
and Rattan - woven handicraft |
Bamboo is ubiquitous in the
Vietnamese countryside. Almost all villages are surrounded
by bamboo hedges. Images of bamboo are attached to
childhood, while a bamboo cane is a good companion to
support old people when walking.
From ancient times, traditional
bamboo and rattan weaving villages were established and have
become famous both at home and abroad. Among them is Phu
Vinh craft village in Chuong My district, Hà Tây province.Every family in Phu Vinh village weaves bamboo and rattan
articles for domestic use and export. Over 6,000 out of
8,000 villagers practice the handicraft, earning more than
VND 2.2 billion a year.
Along with bamboo, Phu Vinh village cultivates 120 mau
(approximately 432,000 sq.m) with one main rice crop and one
sub-crop a year due to the submerged fields. About 2,800
tons of rice are harvested annually, equaling the income
earned from weaving. Weaving has created sideline jobs for
the farmers in their free time as well as for the old and
disabled, women and children. By undertaking both farming
and weaving, Phu Vinh villagers have enjoyed a plentiful
life.
The main instruments for bamboo and rattan weaving are
knives, pincers, scissors and awls. The knives are varied:
big knives for felling and cutting bamboo and rattan trees,
small knives for splitting bamboo slices and pointed knives
for whittling and polishing slices.
At first glance, experienced craftsmen know how to classify
old and young bamboo trees. Old bamboo trees are used for
making edges and frames, and the young ones are used for
splints. Making splints requires skilled hands. Looking at
the way an artisan controls a knife with his forefinger, it
is possible to determine his expertise. Splints must be
smooth, polished, of the same size, and kept away from
humidity.
Designing, however, is the most difficult process and is
usually done by experienced artisans. For example, to
produce a bamboo and rattan-woven flower vase with a form
and size suitable to a particular place, the artisan has to
fashion appropriate splints and materials to make the frame
and dye to colour the splints. From a picture, portrait or
landscape painting, the artisan can imagine how to make a
design work with bamboo and rattan materials.
Design artist Nguyên Van Kinh in Phu Vinh and his brother
Nguyên Van Chung are famous for their expertise. They were
invited to Cuba for vocational teaching and to studying the
flora to find raw materials for weaving.
Phu Vinh bamboo and rattan-woven products exceed 500
varieties. The most notable include art work such as panels,
couples, birds and animal pictures. They are made of
extremely thin and small splints woven with a small awl as
if embroidered. Another variety includes fruit baskets,
trays, plates, bags, suitcases, sandals, hats, lamp shapes
and flower vases.
A third category includes large baskets, sieves, buckets and
creels.
Phu Vinh bamboo and rattan-woven products are in demand by
both domestic and foreign customers. Orders from Russia,
Great Britain, France, Japan, The United States and other
countries are placed regularly to Phu Vinh craftsmen.
Author:
Vietnamtourism
Trade village in Son
Dong - Ha Tay province
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Trade village in
Son Dong - Ha Tay province |
On the way from Hanoi to Son Tay,
turning left at the point of 16th km and going forwards more
2 kilometers is Son Dong village (Hoai Duc district, Ha Tay
province). Perhaps the name (Son Dong village) was
originated from the local activity of producing traditional
paint. Hundreds of years ago, Son Dong people already
mastered the technique of making wooden statues and various
worshipping objects. The material is wood (mainly jack-fruit
wood), even clay and other materials.
To widen their productive
activities, some families have invested hundreds of million
VND into purchasing facilities and hiring workers (up to
tens people). The Son Dong workers are good not only at
sculpturing, but also in doing other work-pieces like
polishing, red lacquer trimmed with gold until final
products. Thanks to its good reputation, the Son Dong wooden
statues are present in many pagodas and communal houses in
the northern provinces. Presently, more than 70 percent of
households in the commune are involved in this business with
thousands of workers. There are also people from Dong Ky (Bac
Ninh) and Chang Son (Thach That). Thanks to the traditional
profession, various related services have been also
developed, and the living standard of local people has
considerably improved.
However, although there is, geographically, a large market
for selling products, the actual demand is still rather
small. The establishments have, therefore, to work mainly on
orders. And Son Dong, in spite of its precious traditional
profession, is not a rich village yet.
Author:
Vietnamtourism
Ha Thai lacquer village
add: Ha Thai Village, Duyen Thai
Commune, Thuong Tin District, Ha Tay province, Viet Nam
Quat Lam embroidery village
add: Quat Lam, Thuong Tin
District, Ha Tay province, Vietnam
Chuong conical hat village
Return to Binh
Minh, go along approximately 8km then turn night, we will arrive
in Phuong Trang village or Chuong village. This is an only
village making conical hat of Ha Tay province. If customers wish
to know about this craft trade as well as to make study on
mini-agricultural economy in Tonkin delta, they should visit
this place.
In the old time,
the Vietnamese wore the conical hats to hide the rain and the
sun.
The conical hats
fabricated with a bamboo frame and covered by leaf. Each
household of Chuong village can produce the conical hat. The
materials are simple: leaves for covering; bamboo for the frame,
rattan strings and now the industrial thread, some rattans to
fabricate the frame.
Although it is
such simple only, a white leaf conical with roll and equal
thread line require a talent producer.
There are various
kinds of conical hat, thick, solid or thin, elegant. In the old
time, there were hats with silk tasseled trap, bamboo hat worn
by Buddhist monks, by soldiers…
author:
Hanoitourism
Thay Pagoda - Ha Tay
province
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Thay Pagoda - Ha
Tay province |
Thay Pagoda, alias Ca and Thien
Phuc Tu Pagoda, is situated at the foot of Sai Son Mountain,
in Quoc Oai district, in Ha Tay province, 30 km southwest of
Hanoi
The pagoda was built in the 11th
century during the reign of Ly Nhan Tong King. At first, it
was a small pagoda managed by Priest Tu Dao Hanh. The pagoda
was initially built according to Sino-Vietnamese character
Tam—this character is formed by 3 hyphens parallel to each
other. The pagoda therefore consists of 3 sections: Ha
Pagoda, Trung Pagoda, and Thuong Pagoda. The outer part, Ha
Pagoda, is a place for offerings and ceremonies; the middle
part, Trung Pagoda, is a place for worship of Buddha; and
finally, the inner part is a place for worship of Priest Tu
Dao Hanh. An automated sandalwood statue of Tu Dao Hanh that
stands and sits is located in a red lacquered shrine trimmed
with gold and covered with a curtain.
In front of the pagoda is Long Tri pond, in the middle of
which is a stage called Thuy Dinh, where water puppet
performances are held. Nhat Tien and Nguyen Tien bridges,
built by doctor Phung Khac Khoan in 1602, are located on
each side of the stage.
Interesting sites can be visited in the surroundings of the
pagoda. For example, Phat Tich and Cac Co caves are located
not too far behind the pagoda. A hole in the dome of Cac Co
cave lets one see outside the cave.
Author:
Vietnamtourism
Ba Vi Mountains -
Suoi Hai Lake - Ha Tay Province
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Suoi Hai Lake -
Ha Tay Province |
Ba Vi Mountains cover an area of
over 5,000 ha in Ba Vi district, in Ha Tay province, 60 km
west of Hanoi. According to Vietnamese legends, a Vietnamese
deity resided in Ba Vi Mountains, which is why these
mountains are considered as the ancestors of all Vietnamese
mountains. The highest mountain is Ngoc Tan with 1,281 m.
There are 3 temples in the
mountains: Thuong Temple, located at the top of the mountain
and built in honour of Tan Vien God; Trung Temple, located
at the middle point between the foot and the top of the
mountain; and Ha Temple, located at the foot of the
mountain.
Ba Vi Mountains also consist of Ngoc Linh, Tuong Mieu, U Bo,
Ghe Dung, and Tram Voi mountains. The pure and cool air
above 200 m has made of Ba Vi a famous resort since the
French colonialism era. Over 200 villas and resting houses
were built there. Ba Vi National Park is also located in Ba
Vi Mountains; several rare bird species can be observed in
that area.
At the foot of Ba Vi Mountains is Suoi Hai Lake. This
artificial lake was built in December 1958. Fourteen islands
of all sizes totaling 90 ha are scattered on the lake. There
are many trees and fruit gardens on the islets and
lakeshore. The lake attracts tourists to its many clean
beaches where uncountable species of valuable birds live.
Author:
Vietnamtourism
Son Tay Citadel - Ha
Tay province
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Son Tay Citadel
- Ha Tay province |
Son Tay Citadel, located in Son
Tay village in Ha Tay province, 60 km from Hanoi, was
erected in 1822. The body of the wall was built of hard
sandstone with one gate on each side. The wall is surrounded
by a 3 m deep, 20 m wide moat. Each corner of the citadel
was armed with a cannon.
Furthermore, there is the Kinh
Thien Palace - the rest house of the king, residences and
offices of provincial leaders, warehouses, and troop camps.
Due to time and the effects of war, parts of the ancient
wall were destroyed.
Measures to prevent and restore this historical relic have
recently been implemented.
Author:
Vietnamtourism
Tay Phuong Pagoda -
Ha Tay province
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Tay Phuong
Pagoda - Ha Tay province |
Tay Phuong Pagoda is located on
Tay Phuong mountain in Yen village, Thach That district, Ha
Tay province. It is 37 km from Hanoi, along the Hanoi - Son
Tay route, and 6 km from the Tay Pagoda.
The pagoda was built during the
6th and 7th centuries and has been restored several times
since. In 1632, the pagoda was rebuilt according to the
Sino-Vietnamese character Tam (three), featuring three
sections: the upper sanctuary, back palace, and lobby rooms.
Later on, in 1794, the pagoda was completely rebuilt.
Tay Phuong Pagoda is also an exposition gallery for many
national engraving and sculpture masterpieces.
The pagoda has approximately 80 statues of all sizes
representing former monks who stayed at the pagoda. The
pagoda also possesses a bell molded in 1796 and many
valuable altars of emperors of the Canh Thinh dynasty. Tay
Phuong Pagoda is not only an historical site with valuable
architecture, but also a scenic spot in Ha Tay province.
After climbing 239 stone steps bearing the signs of the
passage of time 'and sheltered by the shade of age-old trees
one reaches a gate. The gate carries the name of the
structure : Tay Phuong Co Tu (Ancient Pagoda of the West)
According to the inscri tion on a 17th-century stone stele
it also has two other names: Sung Phuc Tu and Hoang Son
Thieu Lam Tu.
The pagoda was built in the 3rd century and was undergone
several restorations. In 1794 under the Tay Son regime, it
was completely renewed, hence its present design. It
comprises three successive constructions : the Hall of
Prostration, the Main Shrine, and the Sanctuary, all with
doubletiered roofs. It seems that this architectural
arrangement is inspired by Buddhist and Confucianist
thought: the three constructions symbolize the three forces
governing the world.
The central construction has a directing role and is
consequently raised higher than the others. It symbolizes
Heaven. The construction at the rear plays the role of a
foundation: it symbolizes the earth. The construction
closest to the world of man stands in front. The whole
structure is the symbol of Thai Cuc (the Prime Principle,
from which the whole world derives). The double tier of the
roof symbolizes the double principle, Luong Nghi, yin and
yang. The slopes , the roof on the four sides symbolize the
four elements of heaven, Tu Tuong; the sun, moon, stars and
deities, while the slopes on the eight sides stand for the
Eight Signs of the Sacred Octagon (Bat Quai).
All the wooden parts of the pagoda are beautifully sculpted
following farniliar folk motifs: mulberry leat Ficus leat
lotus flower, chrysanthe mum; dragon, phoenix, etc. But the
Tay Phuong pagoda is mostly famous for the statues it
contains, magnificent wooden sculptures representing Buddhas
as well as Vajrapanis (Kim Cuong) and Arhats (La Han) who
are middle-ranking Buddhist deities. One in particular
portrays Sakyamuni in meditation at the foot of Tuyet Son
(Snow Mountain). He was then leading a life of extremely
severe ascetism, and his emaciated body, as represented by
the statue, shows good knowledge by the artist of human
anatomy.
The figures of the arhats each bear distinctive features
which depict meditation in original aspects. All are
impressive works of art.
A festival is held in the grounds of the Tay Phuong pagoda
in early spring each year. It features many games and
entertainment: marionette performances, tug-of-war, cock
fighting, chess with human chess pieces... The central piece
of the festival is the Sam Hoi (Expiation) ceremony, held on
the 6th of the 3rd moon, which calls on all men to practise
compassion and charity, to avoid wrong doing, and aim for
serenity and quietude.
Author:
Vietnamtourism
Tram Gian Pagoda -
Ha Tay province
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Tram Gian Pagoda
- Ha Tay province |
Tram Gian Pagoda, also called
Tien Lu Pagoda, is situated in Tien Lu village, Hoai Duc
district, Ha Tay province. The pagoda was was probably
originally built in 1185 during the reign of King Ly Cao
Tong on its present site at the top of the low Tien Lu, or
Ma Hill.It nestles snugly on that hill in a natural cushion
of mature trac, or kingwood and tram, or canari trees, and
watched over by giant pines. It’s impressive construction
and history immerse the visitor immediately: its
multi-pillared temples, ornate altars, leisure areas, where
mandarins would play chess with live human pieces.
At festivals the separate
pavilions were given over to all-consuming and lavish
praise, no more so than the Gia Ngu where the statue of
Buddha was paraded during water puppet performances on the
semi-circular lotus lake.
A visit demands a degree of effort: a climb of several
hundred steps, a walk down an alley paved with bricks and
stone, reveals a two-storey bell tower of eight elegantly
corner-curved roofs. Known as the Bell Tower of Tram Gian,
it still preserves its detailed art work, its supporting
columns carved with intricate lotus shape, the wood panels
in the shape of dragons, flowers and leaves, clouds and the
sky. Under the roof hangs a 1.4m tall bell, made in 1794 on
which is also carved a literary work by Tran Ba Hien from
nearby Van Canh Village.
Then, and another healthy flight of stairs on, there’s the
main pagoda – the legacy of the Tran Dynasty in the 14th
Century but largely destroyed by the Ming invaders in the
15th and rebuilt probably during the Le Dynasty, as much as
a tribute to those times.
The Pagoda is built in the noi cong ngoai quoc architectural
style, the favoured style of the Cong Chinese character in
the inner part and the Quoc Chinese character in the outer.
There the statues of two Guardian Spirits, the
Good-encouraging Spirit and the Bad-punishing Spirit,
preside and the Thien Huong, or Celestial Perfume)Seat, and
in the inner part of the second house two Thuong Dien , or
Upper Altars, for the praise of Buddha. A four
curved-cornered and columned roof shelters a 1-metre wide
drum, and an equally large gong, both dating from the 10th
Year of Canh Hung (1750).
Tram Gian Pagoda is architecturally and spiritually unique –
as much a place of pilgrimage for design students captured
by its design and construction.
It can variously, and depending on your point of view, be
seen as one entity or 100 smaller ones. It houses 153
statues mostly made of wood, some of clay red lacquered and
trimmed with gold, all to the greater glory of Tam The, the
Past, Present and Future Lives. A large terracotta platform
supports an ornately carved altar bearing lotus flower,
legends, and dragon, tiger, horse, and elephant reliefs.
Nearby stands the black-lacquer jackfruit-tree wood statue
of Tuyet Son styled on one found in the Himalayas. The
imagery goes on at every turn: arranged and ornate altars to
worship 18 Arhats and the Ruler of Hell in the Ten Great
Halls, a separate pagoda and altar to worship Saint Boi or
Monk Nguyen Lu also known as Binh Yen. Legend has it the
statue is actually his rattan preserved body covered by an
oil cloth.
Two mighty central columns bear parallel scrolls inlaid with
mother-of-pearl praising the victories of the Vietnamese
people’s struggle against foreign invasion:
Up till now that northern country is still afraid of the
fierce rains
And since the bygone days the southern land is still waiting
for the auspicious clouds.
In the pagoda itself, a statue lauds General Dang Tien Dong,
who served King Quang Trung in the historic battle of Dong
Da and then in 1794 helped repair the pagoda, casting its
bell and erecting stela.
He too was commemorated as one of the architects, if not of
the pagoda itself, then certainly of its place in history.
Not for nothing have Xu Doai locals praised the pagoda
through time:
So Communal House, Gia Temple and Thay Pagoda, all are
beautiful
But still cannot be compared with Tram Gian Pagoda.
Author:
Vietnamtourism
Dong Mo Lake - Ha
Tay Province
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Dong Mo Lake -
Ha Tay Province |
Dong Mo Lake is located at the
foot of Ba Vi Mountain in Ha Tay province, approximately 50
km from Hanoi. This artificial lake has long supplied water
for the whole Son Tay area.
More than 20 islands emerge from
the lake. With a total area of 1,500 ha, Dong Mo Lake is an
ideal site for camping, Sunday picnics, or vacations. An
international 18-hole golf course was opened in 1995.
A cultural village illustrating Vietnam's ethnic minorities
will be built in Dong Mo - Ngai Son region. Thus, this
region will surely become an interesting tourist attraction.
Author:
Vietnamtourism
Hotels
in Ha Tay
|
SÔNG NHUỆ
HOTEL * *
Address: No 150 Trần Phú Road - Ha
Đông city
Tel: (84-34) 512418 Fax: (84-34)
510446
61 rooms; price: from 10$ to 25
$
Services: karaoke,
massage.
NHUỆ GIANG HOTEL
Address: Trần Phú Road - Ha
Đông city
Tel: (84-34) 824052
54 rooms; price:
from 10$ to 25 $
Services: karaoke, massage
AO VUA
HOTEL
Address: Ao Vua tourist
complex - Tản Lĩnh commune - Ba V́ district
Tel: (84-34) 881019 -
881020
80 rooms; price:
from 10$
to 25 $
Services: karaoke, massage
ASEAN
HOTEL
Address: Ho� Lạc commune -
Thạch Thất district
Tel: (84-34) 686201
Fax: (84-34) 686255
17 rooms; price: 15 - 20 USD
Services: karaoke, massage
KHOANG XANH - SUỐI TIÊN RESORT'S GUEST HOUSE
Address: Vân Hoa commune - Ba
V́ district
Tel: (84-34) 881206
50 rooms; price: from
10$ to 25 $
Services: karaoke, massage
CÔNG
ĐOÀN GUEST HOUSE
Address: Hương Sơn commune
- Mỹ Đức district
Tel: (84-34) 849609
32 rooms; price:
from 10$
to 20 $
THÁC ĐA
ECOTOURISM RESORT'S GUEST HOUSE
Address:
Thác Đa ecotourism resort - Vân Hoa
commune - Ba V́ district
Tel: (84-34)
881411
6 campings, 16 houses on stilts; price:
from 10$ to 35$
Services: karaoke
THÁI B̀NH DUO NG HOTEL
Address: Hoa Lạc commune -
Thạch Thất district
Tel: (84-34) 686728
Fax: (84-34) 686303
20 rooms; price:
from 10$ to 25 $
Services: karaoke, massage
Transportation
getting there
We can go by car,
motorbike, bike, (the road condition is good)
from Hanoi or provinces around, no trains or
airplanes |
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